Wednesday, July 29, 2015

Harper Lee encouraging a polite conversation for the masses

Does Go Set a Watchman change how we teach To Kill a Mockingbird?

So unlike many of my friends and fellow educators I had never read To Kill a Mockingbird in high school or in college.
     Reader: WHAT!?! How is that possible? But you are an English teacher?
           Me:  I know, I know, it is pretty sacrilegious and un-American to have grown up in America and not read this classic, and also become an English teacher prior to reading this novel.

The answer is rather simple, the novel was never assigned to me in high school or college and yes, while I am an avid reader and had picked up the book several times to read, I was always interrupted by other assignments or life events.  I read chapter 1, many times and then would find it a month later under another book on my nightstand, and once again, I would move it back to my "to-read" shelf.  "Eventually," I would say, "I will get to it".  I must also state for the record that even though I had not read the novel, I was very familiar with the story, through friends who hold this book as their all-time favorite, also from literary references, and of course, the film adaptation (which I always seemed to catch midway through running on AMC).

When I realized that Go Set a Watchman was being published I decided it was high time I finally read To Kill a Mockingbird.  However, I decided because I could, that I would read them in the order in which Harper Lee wrote them, so I would begin with Go Set a Watchmen and then, To Kill a Mockingbird.

I knew the controversy surrounding Go Set a Watchman, but decided if I am going to teach To Kill a Mockingbird I needed to read both.  Now that I have finished both novels I am very glad I did not let the controversy and worry of the change in Atticus Finch's character prevent me from doing so.  What this worry did for me was consider this question as I read, "Would I teach To Kill a Mockingbird differently, and would I have to?"

The answer is no. But, do I think there are more things teachers can address other than symbolisms, metaphors, themes, and foreshadowing.

And here is why... To Kill a Mockingbird is not just a novel about injustice, prejudice and the complicated deep South.  To Kill a Mockingbird is a classic because it continues to cause readers to think, to question and to come to terms with the moral changes in society overtime. It also allows Americans to discuss the complications that occur between generations, what my childhood looked like versus my parents versus their parents, etc. As a teacher, we must point out why sometimes things change, sometimes they remain the same, and sometimes unfortunately, we are left alone searching for an answer in the wilderness.

After reading TKAM I realized the one thing I would like to do as I teach this novel and I hope others do as well, and that is to introduce philosophy. In America we tend to teach psychology and sociology in high schools focusing much like Lee does with why and how people live the way they do, trying to grapple with social class, racial divide, child endangerment, drug addiction, mentally impaired.  I did not get taught philosophy until college, and understanding existence and why things are the way they are...are very common concerns among teens. What Lee does at the end of TKAM is she uses Machiavelli's principle, "he (the leader of the state) must stick to the good so long as he can, but, being compelled be necessity, he must be ready to take the way of evil" (Machiavelli, 63).  The Sheriff takes the way of evil, " I never heard tell that it's against the law for a citizen to do his utmost to prevent a crime from being committed, which is exactly what he did, but maybe you'll say it's my duty to tell the town all about it and not hush it up.  Know what'd happen then? All the ladies in Maycomb includin' my wife'd be knocking on his door bringing angel food cakes.  To my way of thinkin', Mr. Finch, taking the one man who's done you and this town a great service an' draggin him with his shy ways into the limelight--to me, that's a sin. It's a sin and I'm not about to have it on my head. If it was any other man it'd be different. But not this man, Mr. Finch" (Lee, 317).  Lee uses Arthur 'Boo' Radley as a sense of evil shadow through the entire novel, only to be the ghost that saves the day.

Of course, this is not the only thing I would like my students to see, I would like them to question the other complexities throughout the novel, but I think giving them a sense of philosophy would greatly help them grapple with their own questions as they read.

Now to address the controversy of Atticus Finch. To Kill a Mockingbird is a hero's journey and the hero can be viewed through two characters Atticus Finch and Scout, or Jean Louise. Now this is where I feel if teaching the hero's journey, Atticus fits TKAM. Scout however, a teacher should urge students to examine both novels.

TKAM, if taught in isolation, Atticus Finch can remain the beloved father figure. And as a teacher I would introduce Joseph Campbell's hero's journey:
     1-Ordinary World- Atticus is a father to his children, a lawyer in Maycomb County.
     2-Call to Adventure-  Atticus is assigned to defend Tom Robinson by Judge Taylor.
     3-Refusal- the trial brings unwanted attention to his family.
     4-Mentor/Helper- His cook, Calpurnia and Jack Finch.
     5-Crossing the Threshold- Knowing the verdict, but doing what he can in the trial.
     6-Tests/Allies/Enemies- Hatred from some of the town's people.
     7-Approach- Facing persecution from the people of Maycomb Co. for defending Tom.
     8-Ordeal- Bob Ewell's threats and attack on his children.
     9- Reward- His children's lives are spared
    10-Road back- moral education
    11-Atonement- Sheriff saying, "let the dead, bury the dead" (let evil take care of evil)
    12-Return- Town returns to a sense of normalcy

Now if one uses GSAW one might choose to further explore Scout on the hero's journey.  In TKAM, Lee makes a literary reference to Scout being, Jean Louise Bulfinch, for those of you who do not know, this reference is to Thomas Bulfinch's mythology.  If one is to compare Thomas Bulfinch to Scout one might argue that Lee wanted her character to tell her journey for the masses, like Bulfinch, and not for theologians and scholars.  And ultimately, encourage a polite conversation for her mass readers, which I think TKAM has done for generations.

So to view Scout's hero's journey, one must use both novels.
     1-Ordinary World- Childhood/the way she remembers the Maycomb Co. of her childhood
     2-Call to Adventure- Gray ghost, who is the mysterious Boo Radley, the trial/Her dad's ailing health and the train ride home
     3-Refusal-Mr. Radley cementing the tree, her father being accused of helping blacks/accepting Maycomb Co. as it is now, slowly becoming segregated
     4-Mentor/Helper- father, Boo Radley, Sheriff/ Uncle Jack
     5-Crossing the Threshold- facing the lynch mob/viewing the town council with her father as a member
     6-Tests/Allies/Enemies-Towns people, Bob Ewell/Henry Clinton, her father and his moral education
     7-Approach- Criticized for her father's involvement in the trial/Criticizing Maycomb Co. becoming segregated
     8-Ordeal- Bob Ewell's attack/Accepting her father as a flawed human and not God
     9-Reward- Her life spared/Adulthood, independence, her conscience
    10-Road Back- Accepting Boo Radley as the gray ghost/Accepting that she is different than her father, but that he still loves her and she still loves him
    11-Atonement- "Shoot all the blue jays you want, if you can hit 'em, but remember it is a sin to kill a mockingbird"/Uncle Jack saying, "Every man's island, Jean Louise, every man's watchman, is his conscience"
     12-Return- Understanding what it is like to walk in someone else's shoes/Becoming her own voice, standing up for what is right

Jean Louise wants to be back home, the home she grew up in, when she was innocent and ignorant, but she has crossed the threshold of adulthood and can't return to the Maycomb County of her childhood, because it has changed and so has she. One of the parts that I think is brilliantly tied in GSAW is the story of Child Rolande and the dark tower. This reference really fits Scout's hero's journey, her searching, feeling alone in the wilderness for the first time, not able to turn to her father.  For teachers, this is a great way to include poetry in the classroom and teach Browning's "Child Roland to the Dark Tower Came", and if time allotted they could also incorporate Shakespeare's King Lear reference to Child Rowland and the dark tower. This is just another reason why we have gravitated to Lee's writing.

For anyone apprehensive about reading Go Set a Watchman, I understand how you feel, especially based upon all the reviews, it is much like a television reunion, where the characters you loved have grown up, and you get to love them again.  And unlike many other reviewers, I think that Atticus Finch still remains America's beloved father, he still loves his daughter, even though she does not agree with his views. I think Lee uses the view of Atticus Finch, to show that in America it is wrong to hold any man to be the moral compass of all society, and that as we grow our values and morals do as well.  America loves superheroes and heroes in general, and it would be nice to have the TKAM Atticus Finch come and save the day, but we live in the ordinary world, not the supernatural.  An ordinary world, always troubled by injustice, prejudice, and cultural complications like those in the deep South.  Ultimately, I think Lee wanted to show the masses a lesson in humility. So thank you, Harper Lee, for once again giving us a novel that will continue a polite conversation on these subjects.

Saturday, June 13, 2015


Censorship: 1. censorial control exercised repressively. 2 : the office, power, or term of a Roman censor.
Okay, so I haven't written a blog in quite awhile, but an article that came across my Facebook feed from a former professor, Susan Redington Bobby caused a guttural reaction that could not be ignored. So here goes...

Dear Tara Shultz,

I am writing to you as an educator and a mother.  First and foremost, you are a 20-year-old college student, who has the right to choose a major and your classes.  I understand that sometimes a major may demand that you take certain courses, but I am also aware that every college has a college board.  If you knew or were concerned that a graphic novel course was going to have material that you found offensive, you might have thought about appealing to the board and asking for a supplemental course.  Instead you made this comment to the Redlands Daily Facts, “I didn’t expect to open the book and see that graphic material within,. I expected Batman and Robin, not pornography".  I strongly encourage you to take a closer look at Batman and Robin, particularly Frank Miller's The Dark KnightI think you might be surprised that it too portrays violence, examines sexuality and the oppressed, and hints at pornography.  I also would like to know since you say, “I don’t want them taught anymore. I don’t want anyone else to have to read this garbage," what do you recommend be taught in their place?

I ask this, because as an educator when a student comes to me concerned about an assigned reading, they are not excused from the reading. Instead you see, we establish an alternative assignment for the course.  The origin of graphic novels stems back to dime store comic books.  I feel it is important to point this out, as someone who took a graphic novel course as an undergrad, I discovered through research, just how remarkable comic books were to generations of people who had to stop going to school to help out on the family farm.  You see, the "graphic" images helped them to understand the stories being told, and at a dime a piece it was quite the alternative to being illiterate. The Superheroes you may have expected were also created to help readers of the time cope with what was occurring in the world,  evils of war, world war. These comics also helped readers cope with things they could not talk about, they gave them a sense of hope and normalcy.

Is this image from Marjane Satrapi's Persepolis so graphic and horrifying?  She is looking to God to help her understand a revolt in her country. Personally, I found Satrapi's graphic novel gripping, heart-wrenching and humorous.  Something you might not fully understand, but often when people are faced with the most terrifying moments in their lives, they laugh, because it is what helps move them through it.

Maybe you would have preferred to read about Wonder Woman and her lasso of truth? However, I would ask that you delve a little deeper and study her creator, William Moulton Marston. Yes, the inventor of the lie detector test.  A man who not only had a wife, but a mistress, both of which fathered his children. Marston had an interest in women's suffrage, but also centerfolds, which many people overlook until they start to study the origin of the this legendary comic book icon. I mean seriously did you ever think about the fact that whenever a man binds her in chains, she loses all her powers? You see, comic books explain so many things, the suffragette movement and the rise of feminism.

Furthermore, I have to say that you are fortunate that Ryan Barlett was your professor for this course, because I probably would have added the graphic novel by Brian K. Vaughan and Fiona Staples, Saga to the syllabus. And based on popularity I may have even added The Walking Dead and Chew.

Lastly, as a mother, I must point out that you are a 20-year-old, so stop relying on your parents to stand by your side and start standing on your own two feet, you, Tara Shultz, are an adult, not a child.

Sincerely,
An educator, mother and comic book fan girl


Friday, August 1, 2014

Easy Peasy Caprese Salad


This is one of my favorite dishes to make this time of year. There are several variations on this salad. I also love that you can serve this over crisp lettuce leaves on its' own or as a side with a main course like grilled chicken breasts.

Ingredients:
4 red peppers
1 container of mozzarella balls
2-3 fresh basil leaves
Pinch of Italian seasonings
Drizzle of olive oil

Directions:
Slice the red peppers so that you can lay them in a baking pan skin side up. Place them in the broiler, roasting the peppers until the skins are bubbling and black. Remove the peppers with tongs place in a glass dish and cover with plastic wrap. Let them cool for about 10-15 minutes before trying to remove skins. Once you remove skins cut peppers in long sliver slices and place in a glass or ceramic dish. Next add mozzarella balls. Chop basil and sprinkle on top along with pinch of Italian seasonings. Finish off with a drizzle of olive oil and lightly toss...ready to serve and devour!

***You can also use yellow peppers for more color and flavor. 
Another thing I like to do with this recipe is toss in fresh grape or heirloom tomatoes***

Wednesday, July 30, 2014

Time to Shine with FlowCity


 
Several years ago, Kyle and I had the opportunity to meet some amazing young talent.  Kyle was working at a high school and had the privilege of helping many students who had an interest in music with a club called "So You Think You Wanna Be a Rock Star?"  The students of that club combined with the students in the poetry club teamed up and started putting on coffeehouses.  The coffeehouses were a unique opportunity for students to test the stage and see what it really felt like to perform in front of an audience.  Some of the students quickly realized what stage fright really was, and others embraced it and thrived off of it.  There was a particular group that not only discovered they had a talent, but realized it was a passion that they wanted to flourish, this group was FlowCity aka "302 party crew".  What I saw the first time they took the stage was a connection to the crowd, their dream was much like their peers, they wanted to be famous, and their peers connected to this in their words, "that'll be me on the TV screen".  Their lyrics were catchy and you could hear the students singing their songs throughout the halls.  FlowCity began practicing more and more, and they haven't quit. 

Kyle and I have stayed in connection with member, Danielle Johnson aka Brown Suga, and I asked her for an exclusive interview.  The boys and Brown Suga have been working hard and coming up with new material.

Q-How would you describe your hip hop? There are many elements of hip hop: DJing, MCing, Graffiti art, breaking and beatbox...what are your favorites and are there any that you hope on bringing to FlowCity's future?

Brown Suga- I would describe our music as fun, in your face party music! Our nick name is the 302 Party Crew and you can definitely hear it in our music.  Hip hop started at block parties with djs playing the music everyone loved and people coming together to celebrate and have a great time. FLOWCITY embodies that! If you ever see us live you can't help but have fun just watching us.

Q-Do you feel you are addressing deep changes in society that are not being addressed in any other arena?

Brown Suga- I love when we're recording and get the chance to really ponder and write about a serious subject. I'm actually working on a song with songwriter and musical artist Big Frank, about being a proud independent black woman. I think it's important to be up to date and current in music, especially when you make rap which has for a long time been about current pop culture and what's buzzing, but when I get the chance to really get engrossed in a subject I care very much about I jump at it!

Q-You are all cousins, correct? When did you decide to form FlowCity, how did it happen?

Brown Suga- Haha! Yes we are all family! Shorty Rock (Darien Williams) is my first cousin. His mother is actually FlowCity's manager, Valerie Williams. Nino Nosay (Dexter Brown) has been a part of our family since...I can't remember! He lived down the street from Shorty Rock when we were young children and he didn't have any siblings to harass so we took him in. I really don't think I could feel closer to him if we did share blood.  I was the first to really try my hand at music. I wrote little songs on a dollar store piano my mother bought me. You know how they have demo buttons that play percussion of different genres. I would play those and write raps. One day I was brave enough to show Shorty Rock and he thought it was awesome. I think we were 8 or 9 and we just never stopped.  Nino came into the picture around 2008 when we were in high school together.

Q-You've been together for 6 years, this was your 4th African American Festival in Dover and your first time having a DJ, do you plan to continue to feature djs or are any of you looking at becoming a dj like pioneer DJ Kool Herc?

Brown Suga- The African American Festival is hands down my favorite show of the year! All of the community is there and we always feel so loved and appreciated. This year was the first year we had DJ ELegal (@DJ_ELegal http://twitter.com/DJ_ELegal) on stage with us.  After having a dj on stage you can't go back haha!  You have more control of your show and that's big to us because we always try to make it entertaining and not just a bunch of goofy kids jumping around on stage.

Q-You've played a few times outside Delaware- Baltimore, D.C. and Philly, have you ever had the opportunity to play the birthplace of hip hop, The Bronx? If not, how would it feel to get a chance to play there?

Brown Suga- We've played Manhattan, but not the Bronx.  New York is kind of intimidating when it comes to hip hop. It's like you walk down the street and someone's freestyling on the corner and it is amazing! Every corner is like that! Well not every corner, some corners I walk in the street to avoid, but you get my drift.

credit: Bill Rife Photography
Q-Like the movie, Brown Sugar says, "When did you first fall in love with hip hop?" What artists would you say were most influential to you? And who would you compare your music too?

Brown Suga- This question is always kind of hard because my first musical influences weren't hip hop artists. They were mostly gospel singers and Jimi Hendrix haha! I was raised in a strong Christian household and really wasn't allowed to listen to secular music.  Gospel singers taught me to perform with feeling and emotion and Jimi taught me to dare to be different.  Hip hop came later and almost as a lark. But if I have to answer it would be Bone thugs in Harmony and Tupac Shakur. they were awesome writers and performers.

Q-Describe what each of your names mean: Brown Suga, Nino Nosay and Shorty Rock?

Brown Suga- Haha! That's a new question! Shorty Rock played basketball since he was a child. He actually passed up school after graduation to pursue music. During basketball the players would say pass me the rock meaning basketball. He was also pretty short growing up. I'm not sure if it was our grandmother or his father, but someone called him Shorty Rock at a game, and the entire school called him that from then on. Nino is a firm believer in the saying "I am my brothers keeper" a line in the 90s film New Jack City starring Wesley Snipes.  The main character's name was Nino Brown. I got my name from a friend. The story is quite simple. We were at this church that was throwing a show full of scream rock band's haha! While we were on our way to the bathroom together before the next band set up, she turned to me and said, "You're so sweet! I'm gong to call you Brown Suga". It was good enough for me. It caught on quickly and soon people didn't remember my real name anymore.

Q-How does fashion impact FlowCity, one of your songs talks about looking through XXL and other brand labels? How would you feel to be a XXL freshmen?

Brown Suga- FlowCity loveeeeeessssss fashion! Not in the spend my bill money on shoes type of way, but in a we want to catch your eye kind of way. I think out of all of us Shorty Rock is most fashion inclined, but we all have our own style. Who said that? Probably Nino Nosay! That would be amazing to be on the cover of XXL.  I go into gas stations to us the ATM and that magazine always catches my eye. That cover is reserved for the next big names in hip hop! I cannot wait until I'm using the ATM and my face is peeking out from that cover! haha!

Brown Suga and Chelsea
photo credit: Kyle Bullock
 
Q- Danielle (Brown Suga) you are very open about being a lesbian, have you endured any backlash in the community? Does it help being a part of hip hop, or do you still fight a battle being accepted?

Brown Suga- Yes, I am out and proud! I am proud of who I am and went through hardships and guilt for years before I finally felt comfortable with myself. If anyone feels any resentment towards me for being bisexual now they have yet to make it public.





"Loose Lips Sink Ships"
Hannah Whitham and Brown Suga in the RatZilla (thanks to Ed Thwaites)
photo credit: Kyle Bullock
Q-Recently your friend, Hannah Whitham got a portrait tattoo of you. It is very reminiscent of the African painter, Ernie Barnes, who is known for elongation and movement in his paintings.  His most noteworthy painting is probably "Sugar Shack" which was part of the 70s television series "Good Times" which depicted living in the ghetto.  Barnes was also commissioned by Kayne West to create "A Life Restored" a painting depicting the life changing experience West had with a near fatal car crash.  How did it feel to discover your friend acknowledge your friendship with a portrait tattoo?

Brown Suga- I never even thought of that similarity. I know the painting you are talking about.  I think the first time I ever saw it was in a barbershop.  I suppose it does look a little reminiscent of his work. Hannah Whitham is my best friend! We got really close in high school and that was the end of that. She's the sister I never had! It was done as a total surprise to me and I almost didn't believe it, but it's awesome. She is a big fan of art and hard work that goes with tattoos. I love that she got a kickass tattoo of me, but I'd be okay if she was the only person to ever get a tattoo of me!



Q- FlowCity has been at this for 6 years, what are you doing to pay the bills as you are working to get out there on the scene?

Brown Suga- We've been a band for several years. It takes money to make money so we've always found ways to make ends meet and help our craft.  I took several months off form making music to go back to school. I work at a medical clinic during the day.  I wanted a 9 to 5 job with no nights or weekends, so I could continue my passion without starving to death. Have you ever heard of starving artists?  That's not a joke.

Q- What has been the best advice anyone has given you?

Brown Suga- Wow, that's a hard question.  I think the best advice ever given to me was from music legend, Bill Pettaway, on a trip to Florida in 2012.  He said, "success is determined by three factors: having the right thing, at the right time and being in the right place". I thought long and hard about it and decided it is true on so many levels in life, not just in the music business.  Every day I try to make sure my craft, my product, my art, my job, my relationships with friends and family are always evolving. You never know when your time to shine will present itself. I believe in that moment you can change your destiny.

Q-Are you signed?

Brown Suga- Signed to what? A record contract? An album deal? A distribution deal? Haha! this question always gets me funny looks when I answer. Nope, no signing of any dotted lines yet.  Flow City is currently concentrating on making good music, gaining fan base (not only regionally, but also internationally) and finding new and better ways to market ourselves. If a deal comes and the numbers look good then amen! If not, we'll continue to build our business with the resources we have and the team of people we've been blessed to work with over the years.

Bill Rife Photography


Brown Suga and
The Ratzilla (Ed Thwaites)
Photo Credit: Kyle Bullock
 
Special thanks to Danielle Johnson/Brown Suga for this interview and for hanging with me at the gym. 
 
FlowCity
 https://www.facebook.com/FlowCity3

Booking Info Contact: Valerie Williams, FlowCity Manager
(302)241-4357
vide@verizon.net
 
Credits: Bill Rife Photography http://youtu.be/TGHABKDEaall

 
Thanks again to Ed Thwaites for allowing Ratzilla to be part of a photoshoot
Photographer Kyle Bullock @electricsheep6 (instagram)